BUSCARTE: Duet is a multidisciplinary duet performance that contemplates the forensic anthropology findings in the case of the 43 students from Ayotzinapa Rural Teachers' College who were forcibly disappeared in Iguala, Guerrero, Mexico in 2014. The ongoing search for the students has led to the discovery of other mass graves that reveal the epidemic proportions of the hidden violence. The work contemplates the effect of the trauma of forced disappearance on ever-widening circles in the community.
An inquiry of reality and fiction, experimentation and matter-of-facts, BUSCARTE is an elegy, a cathartic dance, a tapestry of motions and emotions in a quest to make visible that which cannot be looked at directly. BUSCARTE is created in collaboration with composer and sound designer Adria Otte who uses voice programming and processing technologies to transform the breath into an immersive soundscape.
Created and performed by José Navarrete and Debby Kajiyama
Composer and Voice programming and Processing: Adria Otte
Lighting designer: José María Francos
Adria Otte is a composer, multi-instrumentalist and sound designer whose musical practice began with classical violin studies, continued as an electric guitarist in rock bands, expanded with free improvisation, electronics and traditional Korean drumming, and currently integrates all of the above. She recently received an MFA in Electronic Music and Recording Media from Mills College and her current projects include sound design for dance, theater and video, and the electro-acoustic duo, OMMO.
José María Francos (lighting designer) studied lighting and set design at Laney College in Oakland in the early 80s and has not stopped working since then. He has designed for opera, ballet and theater, including the Oakland Opera, Oakland Ballet, The Wallflower Order, the Dance Brigade, June Watanabe In Company, Ellen Bromberg Ensemble, Joanna Haigood’s Zaccho Dance Theater, Robert Moses’ KIN and Dohee Lee Performance Projects. In 2001 he became the Production Manager and then Director of Production and Technical Services for Yerba Buena Center for the Arts in San Francisco, a position he retired from in 2016.